It was great to have New York–based DP Dan Martland in the studio filming multiple interviews for 60 Minutes Australia, “The Reckoning” Epstein special.
Vizzcast is designed specifically for this kind of broadcast interview work. The studio supports multiple looks within the same space, with flexible layouts and furniture on wheels that allow setups to be adjusted quickly. The overhead lighting grid makes it easy to reposition lights while keeping the floor clear of stands and clutter.
The studio is available 24/7, with high-speed internet for Zoom interviews, live streaming, and fast file delivery straight after filming. Uploading media is quick and reliable.
There’s a full range of grip and lighting equipment on-site, including C-stands, sandbags, and modifiers, so there’s no need to bring heavy gear into the studio.
Sound blankets are available when needed, and the overhead lighting grid makes it easy to adjust lights quickly while keeping the floor clear.
This is the type of work Vizzcast is built for. Clean, efficient, and set up to meet broadcast standards.
You can watch the full documentary on YouTube, which has over 2.9 million views.
Dan is available for hire for DP and production work. You can find more about his work and get in touch via his website, http://dantv.co/ or on LinkedIn.
Dan is a highly experienced lighting cameraman and owner-operator, working across television news and entertainment. His work is built around speed, precision, and the ability to adapt quickly in high-pressure environments, delivering strong results with minimal turnaround time.
He works across a range of Sony broadcast and cinema cameras and is experienced in live transmission workflows, including LiveU. His skillset spans handheld shooting, lighting, live OBs, and full ENG production, making him well suited to fast-moving, multi-interview setups like this.
You can also follow his work on Instagram: https://www.instagram.com/dantvusa/
